Sunday, January 28

Monday, Jan.29 ~ Sonnets...GO!

Last chance to take Poetry Devices Quiz before first period tomorrow.

    MEMORIZATION 

    POETRY

    Review
    • Define a sonnet. EQ: Can you analyze a sonnet using its structure?
    • What is the difference between Italian and British? 
    • Who perfected the Italian? the British?
    • What is the organizational shift in the middle called? 
    • Go over Journal 11


    Journal 12
    Directions: Work with your group to work the journal questions with your assigned poem. Be ready to present your sonnet analysis to the class tomorrow.

    1) Is this sonnet an Italian or British style sonnet?
    2) What poetic devices are present (name at least five) and how do they affect the rhythm, mood or meaning of the poem?
    3) Where is the turn and what is the conceptual relationship shown by the structure?

    Group 1

    Remember

    BY CHRISTINA ROSSETTI
    Remember me when I am gone away,
             Gone far away into the silent land;
             When you can no more hold me by the hand,
    Nor I half turn to go yet turning stay.
    Remember me when no more day by day
             You tell me of our future that you plann'd:
             Only remember me; you understand
    It will be late to counsel then or pray.
    Yet if you should forget me for a while
             And afterwards remember, do not grieve:
             For if the darkness and corruption leave
             A vestige of the thoughts that once I had,
    Better by far you should forget and smile
             Than that you should remember and be sad.

    Group 2

    Music Box

    BY JORGE LUIS BORGES
    TRANSLATED FROM THE SPANISH BY TONY BARNSTONE
    Music of Japan. Parsimoniously
    from the water clock the drops unfold
    in lazy honey or ethereal gold
    that over time reiterates a weave
    eternal, fragile, enigmatic, bright.
    I fear that every one will be the last.
    They are a yesterday come from the past.
    But from what shrine, from what mountain’s slight
    garden, what vigils by an unknown sea,
    and from what modest melancholy, from
    what lost and rediscovered afternoon
    do they arrive at their far future: me?
    Who knows? No matter. When I hear it play
    I am. I want to be. I bleed away.

    Group 3

    Never Again Would Birds' Song be the Same

    BY ROBERT FROST
    He would declare and could himself believe
    That the birds there in all the garden round
    From having heard the day long voice of Eve
    Had added to their own an oversound,
    Her tone of meaning but without the words.
    Admittedly an eloquence so soft
    Could only have had an influence on birds
    When call or laughter carried it aloft.
    Be that as may be, she was in their song.
    Moreover her voice upon their voices crossed
    Had now persisted in the woods so long
    That probably it never would be lost.
    Never again would birds' song be the same.
    And to do that to birds was why she came.

    Group 4

    Sonnet 130: My Mistress' Eyes are Nothing Like the Sun

    BY WILLIAM SHAKESPEARE
    My mistress' eyes are nothing like the sun;
    Coral is far more red than her lips' red;
    If snow be white, why then her breasts are dun;
    If hairs be wires, black wires grow on her head.
    I have seen roses damasked, red and white,
    But no such roses see I in her cheeks;
    And in some perfumes is there more delight
    Than in the breath that from my mistress reeks.
    I love to hear her speak, yet well I know
    That music hath a far more pleasing sound;
    I grant I never saw a goddess go;
    My mistress, when she walks, treads on the ground.
       And yet, by heaven, I think my love as rare
       As any she belied with false compare.

    Group 5 

    Holy Sonnets: Death, Be Not Proud

    Death, be not proud, though some have called thee
    Mighty and dreadful, for thou art not so;
    For those whom thou think'st thou dost overthrow
    Die not, poor Death, nor yet canst thou kill me.
    From rest and sleep, which but thy pictures be,
    Much pleasure; then from thee much more must flow,
    And soonest our best men with thee do go,
    Rest of their bones, and soul's delivery.
    Thou art slave to fate, chance, kings, and desperate men,
    And dost with poison, war, and sickness dwell,
    And poppy or charms can make us sleep as well
    And better than thy stroke; why swell'st thou then?
    One short sleep past, we wake eternally
    And death shall be no more; Death, thou shalt die.

    Group 6

    To the Poet Before Battle

    BY IVOR GURNEY
    Now, youth, the hour of thy dread passion comes;
    Thy lovely things must all be laid away;
    And thou, as others, must face the riven day
    Unstirred by rattle of the rolling drums,
    Or bugles' strident cry. When mere noise numbs
    The sense of being, the sick soul doth sway,
    Remember thy great craft's honour, that they may say
    Nothing in shame of poets. Then the crumbs
    Of praise the little versemen joyed to take
    Shall be forgotten; then they must know we are,
    For all our skill in words, equal in might
    And strong of mettle as those we honoured; make
    The name of poet terrible in just war,
    And like a crown of honour upon the fight.

    Group 7
    Sonnet Sickness
    BY MR. RENO (Our beloved English teacher from years past)

    When I consider sonnets I turn green.
    I gag. I heave. Dry heaves, they will not stop
    Until I write a quatrain...wait! I mean
    An octave! (What I've written is mere slop.)
    I cannot do this... meter? When will't end?!!!
    As soon as the meter's dial'd I kill the rhyme.
    This casualty results when I don't tend  
    All sheep at once. I'm running out of time...
    Shakespeare'ean hydra! Come at me full force!
    My loins I'll gird and stand my ground a man
    Who will not shirk from war, nor from the course
    will I depart. (my mind has hatched a plan!)
    Submission to this yoke (the sonnet's weight)
    Now means I've earned the right to graduate.   

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